Albinoni, Tomasso
TOMASSO ALBINONI (c. 1674--c. 1745), Italian musician, was born
at Venice. He was a prolific composer of operas attracting contemporary
attention for their originality, but is more remarkable as a composer of
instrumental music, which greatly attracted the attention of Bach, who
wrote at least two fugues on Albinoni’s themes and constantly used his
basses for harmony exercises for his pupils. ALBINOVANUS PEDO, Roman
poet, flourished during the Augustan age. He wrote a Theseis, referred
to in a letter from his intimate friend Ovid (Ex Ponto, iv. 10),
epigrams which are commended by Martial (ii. 77, v. 5) and an epic poem
on the exploits of Germanicus. He had the reputation of being an
excellent raconteur, and Quintilian (x. i. 90) awards him qualified
praise as a writer of epics. All that remains of his works is a
beautiful fragment, preserved in the Suasoriae (i. 15) of the
rhetorician Seneca, from a description of the Voyage of Germanicus (A.D.
16) through the river Ems to the Northern Ocean, when he was overtaken
by the storm described by Tacitus (Ann. ii. 23). The cavalry commander
spoken of by the historian is probably identical with the poet. Three
elegies were formerly attributed to Pedo by Scaliger; two on the death
of Maecenas (In Obitum Maecenatis and De Verbis Maecenatis moribundi),
and one addressed to Livia to console her for the death of her son
Drusus (Consolatio ad Liviam de Morte Drusi or Epicedion Drusi, usually
printed with Ovid’s works); but it is now generally agreed that they are
not by Pedo. The Consolatio has been put down as late as the 15th
century as the work of an Italian imitator, there being no MSS. and no
trace of the poem before the publication of the editio princeps of Ovid
in 1471. There is an English verse translation of the elegies by
Plumptre (1907).
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