By Daniel McAdam
The title of this page is deliberate. What follows is
not a list of the world’s most popular classical works, although many are
very popular. It is also not a list of classical works you should like,
because I am in no position to tell you that, and neither is anyone else.
(Although it would be the rare listener who would not find most of the works
presented here enjoyable.) No, these are, simply, classical works that you
should be familiar with.
Why? There are two reasons. The first reason, the more
important one, is that familiarity with these works will provide you, the
classical music enthusiast, with a foundation of knowledge upon which you
can build, and which can be used in developing your own personal taste and
judgment. The second reason – trivial, I grant you, but nonetheless valid –
is that others will expect you to have some familiarity with these works.
If you’re in a conversation where you’re rhapsodizing about Scriabin’s
Mystic Chord one minute, and then saying you’ve never heard Beethoven’s
Moonlight Sonata the next, you’ll find yourself in an awkward
situation; at least, people will give you funny looks.
The list serves another purpose, as well, for those new to
classical music, as it represents a reasonably worthwhile “checklist” of
sorts if one is just setting out to build a collection of classical
recordings.
So, for worthwhile and trivial reasons alike, and without
further ado, I present my list for your perusal. Feel free to agree, or
disagree, and don’t pay too much attention to the order in which the works
are listed:
- Beethoven - Symphony No. 9 “Choral”
- Tchaikovsky - 1812 Overture
- Pachelbel - Canon
- Beethoven – Piano Sonata No. 14 “Moonlight”
- Beethoven - Für Elise
- Tchaikovsky - Piano Concerto No. 1
- Vivaldi - Four Seasons
- Rimsky-Korsakov – Scheherazade
- Ravel – Bolero
- Bach – Brandenburg Concertos
- Mozart – Serenade 13 “Eine Kleine Nachtmusik”
- Rachmaninoff – Piano Concerto No. 2
- Beethoven – Symphony No. 6 “Pastoral”
- Dvorak – Symphony No. 9 “From the New World”
- Mussorgsky – “Night on Bald Mountain” aka “Night on a
Bare Mountain”
- Elgar – Enigma Variations
- Tchaikovsky – Nutcracker Suite
- Berlioz – Symphonie Fantastique
- Debussy – Prelude a l’apres-midi d’un faune
- Bach – Cantata 208 “Sheep May Safely Graze”
- Mozart – Piano Concerto No. 21 “Elvira Madigan”
- Beethoven – Piano Concerto No. 5 “Emperor”
- Handel – Messiah
- Albinoni - Adagio
- Barber – Adagio for Strings
- Tchaikovsky – Symphony No. 6 “Pathetique”
- Mozart – Symphony No. 41 “Jupiter”
- Chopin – Nocturnes
- Beethoven – Symphony No. 7
- Orff – Carmina Burana
- Respighi – Fountains of Rome
- Haydn – Symphony No. 94 “Surprise”
- Bach – Mass
in B Minor
- Mahler – Lied von der Erde
- Rodrigo – Concierto de Aranjuez
- Debussy – Clair de Lune
- Grieg – Peer Gynt
- Mendelssohn – Symphony No. 3 “Scottish”
- Allegri – Miserere
- Saint-Saens – Symphony No. 3 “Organ”
- Mahler – Symphony No. 5
- Elgar – Cello Concerto
- Holst – Planets Suite
- Sibelius – Finlandia
- Smetana – Ma Vlast
- Schubert – Piano Quintet “Trout”
- Mussorgsky – Pictures at an Exhibition
- Bach – Cantata No. 147 “Jesu, Joy of Man’s Desiring”
- Paganini – Violin Concerto No. 1
- Tchaikovsky – Romeo and Juliet
- Beethoven – Symphony No. 3 “Eroica”
- Strauss – Blue Danube
- Tchaikovsky – Swan Lake
- Handel – Water Music
- Copland – Appalachian Spring
- Saint-Saens – Carnival of the Animals
- Borodin – In the Steppes of Central Asia
- Bruch – Violin Concerto No. 1
- Mozart – Clarinet Concerto
- Vaughan Williams – Lark Ascending
- Mozart – Requiem Mass 19
- Mendelssohn – Violin Concerto
- Beethoven – Violin Concerto
in D Major, op. 62
- Massenet – Thais
- Vaughan Williams – Fantasia on a Theme by Tallis
- Brahms – Violin Concerto
- Chopin – Piano Concerto No. 1
- Bach – Toccata and Fugue
- Verdi – Messa de Requiem
- Dvorak – Cello Concerto
- Bach – Double Violin Concerto
- Prokofiev – Romeo and Juliet
- Shostakovich – The Gadfly
- Mozart – Flute and Harp Concerto
- Bruch – Scottish Fantasy
- Dukas – The Sorcerer’s Apprentice
- Stravinsky – Rite of Spring
- Mahler – Symphony No. 1 “The Titan”
- Tchaikovsky – Capriccio Italien
- Liszt – Hungarian Rhapsodies
- Mendelssohn – Midsummer Night’s Dream
- Strauss – Also Spake Zarathustra
- Vivaldi – Gloria
- Mozart – Symphony No. 40
- Bach – Cello Suites
- Mozart – Piano Concerto No. 23
- Schubert – Symphony No. 9 “The Great”
- Mendelssohn – Symphony No. 4 “Italian”
- Bach – Cantata No. 140 “Wachet Auf”
- Rachmaninoff – Piano Concerto No. 3
- Schubert – Symphony No 8 “Unfinished”
- Haydn – Trumpet Concerto
- Brahms – Symphony No. 1
- Brahms – Symphony No. 2
- Haydn – Symphony No. 94 “Surprise”
- Handel – Music for the Royal Fireworks
- Vivaldi – Chamber Concerto
- Wagner - The Ring of the Nibelungs
- Bruckner - Symphony No. 9
- Aida - Giuseppe Verdi
Having completed the list (although it may be revised from
time to time), I realize there may have been simpler ways to go about this;
for example, I might have just simply written, “all of Beethoven’s
symphonies,” instead of listing them individually. Of course, as it
is, we're left with one hundred works, which is good, in that it's a nice
round number, so long as readers don't absolutely insist on viewing
these entries as the 100 greatest classical works of all time, or something
of that sort; but that point has already been made.I
don’t believe the list would have been better off alphabetized, as one gets
too quickly to Bach and Beethoven that way, and takes far too long to reach
Tchaikovsky and Vivaldi.
A chronological list might have been interesting, but more
to the experienced classical music listener than to someone in the early
stages of appreciation. An unnumbered list might not have been a bad
idea, because the order really is unimportant, but numbering was
helpful in putting the list together.
Finally, I'm not sure about the inclusion of a couple of opera works; at
some point, I may take these out, and make a separate list of opera works
you should know.
That the list contains immortal works side-by-side with
works that one could probably live without is inarguable; Dukas and Massenet
sit uneasily alongside the likes of Bach, Beethoven, and Mozart. But if the
entries on this list get you thinking – or, better yet, listening – it will
have served its purpose.